if the footage was shot at 24fps, was all of the audio / video editorial done at the same rate to match? What ryclark says is true in that 48k Fs is the frequency of the clock in Audition and in FCP, and nobody has mentioned what the Native Framerate of the original footage is: 23.976 or 24? Shame on them for giving you a 23.976 when the delivery spec is 24. The same holds true for a "pulldown" functions You don't need to record the Favorite, but it is nice to have the process saved for a later application. I would suggest you do a handful, send them to the editor, and wait for confirmation before batching the rest, however if you do step 12 and it's correct, you should be good to go.īy the way, I just re-read your post.thought it was dailies.everything still applies, just one file to convert instead of many. the rest of the file parameters, I would maintain Check the "Remove Files." option.ġ1) click okay to run the batch, click RUN in the bottom right corner.ġ2) as a test, you can place the original of one file in a mutitrack session on track1 and the processed version on track1 and compare how the processed gets ahead of the original set the exported file location (never overwrite existing - always preserve originals)Ĭ. if the editor wants and prefix or postfix (ie. under STRETCH AND PITCH check LOCK S & P (Resample)ĥ) select FAVORITES / Stop Recording FavoriteĦ) save the name of the new favorite process, I called mine "Sample Rate Convert + 0.1% "ħ) select EDIT / Batch Process to open the Batch tabĨ) set Favorite: ( your newly name process)ĩ) click the folder in the upper left corner to select which files are to be batch processedġ0) in the bottom left corner, open the Export SettingsĪ. if they are not already, set Algorithm: Audition Precision: Highī. This is the process that the batch utility will execute.ġ) open a test file in the waveform editorĢ) select FAVORITES / Start Recording Favoriteģ) select EFFECTS / Time & Pitch / Stretch & Pitch (process)Ĥ) a. You need to create a new FAVORITE called Sample Rate Conversion on all of the audio so it plays 0.1% faster. What you want to do is BATCH PROCESS your dailies audio to a NEW FOLDER. Each video processing channel can be individually cropped and resized using AJA’s image scaling technology for the best possible quality when incorporating nonstandard image sizes.įS2 can be used as two separate frame synchronizers/format converters or the two channels can be linked with the internal FS2 keyer to do the work of three or more devices - for example, HD sidebar keying where both the video and background graphics are up-converted and combined.Yes, it's call "pull-up sync". A fiber I/O option allows fiber cable runs of up to 10 kilometers to be connected directly to the FS2 without the need for separate fiber to SDI conversion. Offering huge flexibility and the power to adapt to meet the needs of rapidly changing environments, FS2 offers unprecedented conversion and frame synchronization power in a 1RU space.Ĭapable of simultaneously working with two independent streams of HD/SD 10-bit broadcast quality video and two independent groups of multi-channel analog or digital audio, each FS2 video channel supports virtually any input or output: analog component or composite, 3G-SDI, Dual Link (1.485 Gb), fiber and HDMI I/O.
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